Julia Bullock

In the 2023-24 season, Bullock looks forward to a number of operatic “firsts.” John Adams’s and Peter Sellars’s oratorio El Niño is the vehicle for her Metropolitan Opera debut, in a new production led by Marin Alsop. Marking Bullock’s debut at Barcelona’s Gran Teatre del Liceu, she stars opposite Gerald Finley in the European premiere of Adams’s opera Antony & Cleopatra. Bullock will present her project Nativity Reconsidered: El Niño – a distilled rendering of the original El Niño – alongside conductor Christian Reif (who also created the new musical arrangement) at the Cincinnati Symphony and on a U.S. tour with the American Modern Opera Company (AMOC), of which Bullock is a founding core member. Over the coming season, she also undertakes a residency as 2023–24 Featured Artist of London’s Philharmonia Orchestra and gives recitals in Philadelphia, Baltimore, Providence and at the Park Avenue Armory in New York.

Bullock has made many key operatic house debuts: at London’s Royal Opera House in Handel’s Theodora; at San Francisco Opera, where she created the leading role of Dame Shirley in the world premiere of John Adams’s Girls of the Golden West; at Dutch National Opera, in the European premiere of the same work; at Santa Fe Opera as Kitty Oppenheimer in Adams’s Doctor Atomic; at Festival d’Aix-en-Provence as Anne Trulove in Stravinsky’s The Rake’s Progress; and at the English National Opera, Spain’s Teatro Real, and Russia’s Perm Opera House and Bolshoi Theatre in the title role of Purcell’s The Indian Queen. She premiered Michel van der Aa’s Upload at Dutch National Opera, before reprising it at Bregenzer Festspiele and New York’s Park Avenue Armory, and took part in Opera Theatre of Saint Louis’s world premiere of Terence Blanchard’s Fire Shut Up in My Bones. Her wide-ranging repertoire also encompasses the title roles of Massenet’s Cendrillon, Ravel’s L’enfant et les sortilèges and Janáček’s The Cunning Little Vixen; Susanna in Mozart’s Le nozze di Figaro; and Pamina in The Magic Flute, which she sang at the 2023 Edinburgh Festival with conductor Maxim Emelyanychev, on tour in South America (in a staged production directed by Peter Brook), and in concert with Gustavo Dudamel and the Los Angeles Philharmonic.

Bullock is similarly distinguished in the concert hall. In summer 2023, she performed Jessie Montgomery’s Five Freedom Songs with the Boston Symphony Orchestra at Tanglewood, after helping develop the work, premiering it at Idaho’s Sun Valley Music Festival, and touring it to the Virginia Arts Festival, Kansas City Symphony and, with conductor Donald Runnicles, the Grand Teton Music Festival. She made important German orchestra debuts in 2023 with the Bavarian Radio Symphony Orchestra & Chorus and NDR Elbphilharmonie Orchestra, led by Manfred Honeck and Alan Gilbert respectively. With the L.A. Philharmonic and Dudamel, Bullock gave 2019-20 season-opening performances of Barber’s Knoxville: Summer of 1915, which she reprised for her Saint Paul Chamber Orchestra debut and with the Deutsches Symphonie-Orchester Berlin. As part of her 2019-20 residency with the San Francisco Symphony, she joined the orchestra and Esa-Pekka Salonen for Ravel’s Trois poèmes de Stéphane Mallarmé and Britten’s Les Illuminations, which was also the vehicle for her debuts with the Milwaukee Symphony, Indianapolis Symphony and Philharmonia Orchestra. With Andris Nelsons, she headlined the Bernstein centennial gala that launched the Boston Symphony’s 2017-18 season, and she performed Bernstein’s music for debuts with the San Francisco Symphony, conducted by Michael Tilson Thomas; at the Hollywood Bowl, with Dudamel and the L.A. Philharmonic; with Japan’s NHK Symphony and Paavo Järvi; and with the New York Philharmonic, in open-air concerts led by Gilbert in Vail, Santa Barbara and multiple New York City parks. At the invitation of Sir Simon Rattle, she made debuts with both the Berlin Philharmonic’s Karajan Academy, in Kaija Saariaho’s La Passion de Simone; and the London Symphony Orchestra, in Maurice Délage’s song cycle Quatre poèmes hindous. Other concert highlights include performances of Adams’s El Niño with the L.A. Philharmonic led by the composer himself.

In 2014, Bullock gave her first U.S. recital tour, capped by her debut at the Kennedy Center in Washington, DC. Since then, she has maintained a thriving solo career. After premiering AMOC’s staged production of Messiaen’s song cycle Harawi at Festival d’Aix-en-Provence, she toured it to Belgium and Germany. In 2019, she joined pianist Cédric Tiberghien for the American, British, Belgian and Russian premieres of Zauberland (“Magic Land”), a new work directed by Katie Mitchell, which juxtaposes Schumann’s Dichterliebe with original songs by Bernard Foccroulle and Martin Crimp about displacement and grief in the landscape of the Syrian refugee crisis. This followed Bullock’s high-profile 2018 North American recital tour, which featured workshops and local school performances in each city, with dates at New York’s Carnegie Hall, the Philadelphia Chamber Music Society, Cal Performances at UC Berkeley and Boston’s Celebrity Series. Other solo performance highlights include her 2021 Wigmore Hall recital and 2017 Disney Hall debuts, and appearances at the 2016 Mostly Mozart and Ojai Music festivals, where she collaborated with Roomful of Teeth and the International Contemporary Ensemble (ICE) on Peter Sellars’s new staging of La Passion de Simone and on the world premiere of Josephine Baker: A Portrait.

Josephine Baker: A Portrait was the original prototype for Perle Noire: Meditations for Joséphine. Exploring racism, misogyny and performance as a means to self-empowerment, through the lens of Baker’s life, Perle Noire was conceived by Bullock in collaboration with MacArthur “Genius” Fellows Peter Sellars, Tyshawn Sorey, and Claudia Rankine. Bullock took this work to Dutch National Opera, Harvard’s OBERON and New York’s Metropolitan Museum of Art, where it was one of the five thought-provoking programs she curated as its Artist-in-Residence. Besides Perle Noire, which marked the first full-length performance on the museum’s grand staircase, Bullock’s curation at the museum included a performance of Langston Hughes poetry and music settings, featuring various singing and instrumental artists including clarinetist Anthony McGill and the Young People’s Chorus of NYC; a new chamber arrangement of El Niño (now titled Nativity Reconsidered) at the Cloisters; AMOC’s account of Hans Werner Henze’s El Cimarrón (“The Runaway Slave”); and History’s Persistent Voice, a program combining the songs of enslaved people in the United States with new music by Black American women, including the world premieres of Met commissions from Courtney Bryan, Tania León, Allison Loggins-Hull and Jessie Montgomery. The expansion of History’s Persistent Voice, an ongoing project that commissions b/Black women composers, and features the work of b/Black visual artists and poets, premiered at the San Francisco Symphony in 2022, impressing the San Francisco Chronicle with its “musical beauty and moral force.” Plans for future performances are underway in both the U.S. and Europe.

Bullock’s growing discography comprises a variety of celebrated recordings. In November 2022, she made her solo album debut on the Nonesuch label with Walking in the Dark. Combining Knoxville: Summer of 1915 with an aria from El Niño and songs by Oscar Brown Jr., Connie Converse, Sandy Denny, Billy Taylor, and a traditional spiritual setting by Hall Johnson, the record was recognized with an Opus Klassik award, featured in the New York Times’s “Best Classical Music Tracks of 2022,” and named among the 20 “Best Albums of 2022” by NPR, which called it “an album that shines, introducing us to an artist curating a career on her own distinctive terms.” Bullock also appears on the soundtrack of Amazon Prime Video’s 2021 The Underground Railroad, composed by Nicholas Britell. Her account of Quatre poèmes hindous with Rattle and the London Symphony Orchestra was captured live on DVD, as was her title role appearance in Sellars’s production of The Indian Queen for Sony Classical. Selected as one of the New York Times’s “25 Best Musical Tracks of 2018,” her starring role in Adams’s Doctor Atomic, recorded with the composer conducting the BBC Symphony Orchestra, was a nominee for the 2018 Grammy Award for Best Opera Recording. This marked Bullock’s second appearance on a Grammy-nominated recording, following her live account of West Side Story with Tilson Thomas and the San Francisco Symphony, a Grammy nominee for Best Musical Theater Album in 2014.

Her other honors include the 2022 Dallas Symphony Orchestra Award of Excellence, 2016 Sphinx Medal of Excellence, a 2015 Leonore Annenberg Arts Fellowship, the 2015 Richard F. Gold Grant from the Shoshana Foundation, Lincoln Center’s 2015 Martin E. Segal Award, First Prize at the 2014 Naumburg International Vocal Competition and First Prize at the 2012 Young Concert Artists International Auditions. She was chosen as one of Musical America’s 2021 Artists of the Year, WQXR’s “19 for 19” artists to watch in 2019 and Opera News’s “18 to Watch in 2018-19”; the New York Times honored her on its “Best Classical Music” list in 2020, 2018 and 2016; and in 2018 she appeared on comparable lists in the Los Angeles Times, Washington Post and Philadelphia Inquirer.

Bullock is in high demand as a speaker in panels on equity, inclusion and restorative justice in the arts. She has taken part in livestreamed conversations presented by Long Beach Opera, Los Angeles Opera, Music Academy of the West (now Music Academy), Sphinx Organization and others. As well as trying to engage with local communities in each city she visits, she serves on the Advisory Board of Turn The Spotlight, a foundation designed to empower people who have been historically marginalized by institutions, both on stage and behind the scenes, to make a more equitable future in the arts.

Julia Bullock was born in St. Louis, Missouri, where she joined the artists-in-training program at Opera Theatre of Saint Louis while in high school. She went on to earn her bachelor’s degree at the Eastman School of Music, her master’s degree in Bard College’s Graduate Vocal Arts Program, and her Artist Diploma at New York’s Juilliard School. It was there that she first met her husband, conductor Christian Reif, with whom she now lives in Munich. The couple welcomed their first child in fall 2022.