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Robert Schumann, Davidsbündlertänze, Op. 6

1. Lebhaft

2. Innig

3. Mit Humor

4. Ungeduldig

5. Einfach

6. Sehr rasch

7. Nicht schnell

8. Frisch

9. Lebhaft

10. Balladenmässig. Sehr rasch

11. Einfach

12. Mit Humor

13. Wild und lustig

14. Zart und singend

15. Frisch

16. Mit gutem Humor

17. Wie aus der Ferne

18. Nicht schnell

Claude Debussy, Preludes, Book II

7. La terrasse des audiences du clair de lune

6. Général Lavine - excentric

Franz Schubert, Piano Sonata No. 18 in G Major, D. 894

I. Molto moderato e cantabile

II. Andante

III. Menuetto. Allegro moderato

IV. Allegretto

Johannes Brahms, Intermezzi, Op. 117

No. 2 in B-flat minor

Adam Laloum plays Schumann, Debussy, Schubert, and Brahms

Verbier Festival 2010

Concert
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Cast

Adam Laloum — Pianist

Program notes

In 2009 pianist Adam Laloum received the Clara Haskil Award in the small nearby town of Vevey in the Valais. In this concert, he returned to the region to perform a recital featuring works by Schumann, Schubert, and Brahms in his first concert at the Verbier Festival.

Schumann’s Davidsbündlertänze consist of a series of short tableaus inspired by “David’s Companions,” characters used throughout the composer’s writings in his music journal Neue Zeitschrift für Musik who strongly critique the traditional musical canon and laud young composers like Schubert, Chopin, and Berlioz. A patchwork of 18 sarcastic, poetic, lyric, and humorous dances, the work defies formal musical conventions, with the performer moving from one dance to another as though suspended on a string looking down at thousands of different country sides. Adam Laloum completes this perilous voyage with artistry and maturity, performing each vignette with precision, clarity, sensitivity, and subtlety.

Schubert’s Sonata in G minor, D. 984, was the favorite sonata of another pianist: Sviatoslav Richter. This work is perhaps best summed up in the word “contemplative.” Schubert exposes and then continually revisits multiple themes, with the listener discovering, recognizing, and then learning them by heart.

Adam Laloum closes his recital with Brahms’ Intermezzo No. 2, Op. 117, a fundamentally personal music infused with a deep sense of nostalgia.

Photo: © Aline Paley

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Further listening: featured works

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