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Gerónimo Giménez/Manuel Nieto, El Barbero de Sevilla

II: "Me llaman la primorosa"

Carlos Gardel, Por una cabeza

Frédéric Chopin, Three Waltzes, Op. 64

No. 2 in C sharp minor

Jules Massenet, Élégie

Georges Bizet, Carmen

"L'amour est un oiseau rebelle"

Léo Delibes, Les Filles de Cadix

Franz Schubert/Franz Liszt, Ständchen, S. 560/7 (Piano transcription)

Antonín Dvořák, Gypsy Songs, Op. 55

IV. Když mne stará matka zpívat učívala (Songs My Mother Taught Me)

Antonín Dvořák, Rusalka, Op. 114, B. 203

"Mĕsičku na nebi hlubokém" (Song to the Moon)

Nikolai Rimsky-Korsakov, The Golden Cockerel

The Queen of Shemakha’s aria (Hymn to the Sun)

Sergei Rachmaninov, Zdes' khorosho, Op. 21, No. 7

Sergei Rachmaninov, Prelude, Op. 3, No. 2

Nikolai Rimsky-Korsakov, Sadko

Scene IV: Song of India

Pyotr Ilyich Tchaikovsky, Iolanta, Op. 69

Iolanta's Arioso, "Atchevo eta prezhde ne znala?"

Pyotr Ilyich Tchaikovsky, Six Romances, Op. 63

6. Serenada

Giuseppe Verdi/Franz Liszt, Rigoletto, Concert Paraphrase for Piano, S. 434

Franz Schubert, Ave Maria, D. 839

Giacomo Puccini, Tosca

II: Vissi d'arte

Giacomo Puccini, Gianni Schicchi

"O mio babbino caro" (Lauretta)

Ruggero Leoncavallo, Mattinata

Aida Garifullina performs Romantic arias in Spanish, French, Czech, Russian, and Italian — With Maciej Pikulski

Rencontres Musicales d'Évian 2023

Concert
Subscribers

Cast

Aida Garifullina — Soprano

Maciej Pikulski — Pianist

Program notes

"When she appears," according to the Online Merker, "it seems that a great hurricane comes over the stage; her voice is magnificent." This force of nature is none other than star soprano Aida Garifullina, who lights up the stage in this sublime recital from the 2023 edition of the Rencontres Musicales d'Évian. Joined at the stunning Grange au Lac by accomplished pianist Maciej Pikulski—who also performs solo piano works by Chopin, Liszt, Schubert, and Rachmaninov—Aida offers up an irresistible selection of arias and songs across national and linguistic borders, starting with the Spanish showstopper "Me llaman la primorosa" and continuing through France ("Depuis le jour" from Charpentier's Louise), Czechia (the soul-stirring "Song to the Moon" from Dvořák's Rusalka), and Russia (Rimsky-Korsakov's poignant "Song of India") before finishing back in Italy with the immortal "Vissi d'arte" from Puccini's Tosca, one of the most revered dramatic arias for a soprano of Aida's calibre.

Photo © Decca / Simon Fowler

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