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Claude Debussy, Six épigraphes antiques, L. 131, CD. 139

I. Pour invoquer Pan, dieu du vent d'été ("To invoke Pan, god of the summer wind")

II. Pour un tombeau sans nom ("For a nameless tomb")

III. Pour que la nuit soit propice ("In order that the night be propitious")

IV. Pour la danseuse aux crotales ("For the dancer with crotales")

V. Pour l'égyptienne ("For the Egyptian woman")

VI. Pour remercier la pluie au matin ("To thank the morning rain")

Benjamin Britten, Les Illuminations, Op. 18

1. Fanfare

2. Villes

3a and 3b. Phrase and Antique

4. Royauté

5. Marine

6. Interlude

7. Being beauteous

8. Parade

9. Départ

Sergei Rachmaninov, Symphonic Dances, Op. 45

I. Non allegro

II. Andante con moto (Tempo di valse)

III. Lento assai - Allegro vivace

Andris Nelsons conducts Debussy, Britten, and Rachmaninov — With Ian Bostridge

Royal Concertgebouw Orchestra

Concert
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Cast

Program notes

The Six Épigraphes antiques are six miniatures for piano composed by Debussy in 1914, with parts of the music having been written in 1901 to accompany the Chansons de Bilitis by his friend, poet Pierre Louÿs. In 1977, Dutch composer Rudolf Escher transcribed a version for orchestra, impeccably rendered here by the Royal Concertgebouw Orchestra under Andris Nelsons!

"J'ai seul la clef de cette parade sauvage" ("I alone have the key to this savage parade"): this final line of Arthur Rimbaud's poem Parade became the structuring motif in Benjamin Britten's cycle Les Illuminations, who—aged just 25—took up the challenge of setting Rimbaud's collection of prose poems to music. The marvelous RCO accompanies English tenor Ian Bostridge, paying homage to the great English composer for his 100th birthday.

Finally, the evening is rounded out by a dynamite rendition of Rachmaninov's final major work: the self-referential and ecclesiastically-inspired Symphonic Dances, brimming with nostalgia and lush harmonies.

A closer look: featured composers

Further listening: featured works

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