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Giuseppe Verdi, Messa da Requiem

I. Introit and Kyrie

II. Dies irae

III. Tuba mirum

VI. Quid sum miser

VII. Rex tremendae

IX. Ingemisco

XI. Lacrymosa

III. Offertorio

IV. Sanctus

V. Agnus dei

VI. Lux aeterna

VII. Libera me

Gustavo Dudamel conducts Verdi's Requiem at the Hollywood Bowl — With Julianna Di Giacomo, Michelle DeYoung, Vittorio Grigolo, and Ildebrando d‘Arcangelo

Los Angeles Philharmonic

Concert
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Cast

Julianna Di Giacomo — Soprano

Michelle DeYoung — Mezzo-soprano

Vittorio Grigòlo — Tenor

Ildebrando D'Arcangelo — Bass

Los Angeles Master Chorale

Grant Gershon — Music director

Program notes

“This Dies Irae is one of the most dramatic in music history. After the big earthquake, the sky opens, the trumpets come in, calmly, and with them comes the judgment of men. You can see the finger of God, it’s very dramatic”, explains Gustavo Dudamel, interviewed as he rehearses Verdi’s Requiem before this unforgettable performance, recorded in 2013 with the LA Phil at the Hollywood Bowl.

In 1868 the legendary Rossini dies. To honor him, Verdi decides to gather the era’s greatest Italian composers to write a mass in the memory of the departed giant, and is charged with the Libera Me. The project unfortunately does not see the light of day, but the Libera Me is ready when, in 1873, the poet Alessandro Manzoni passes away, and Verdi decides to use it as a basis for his Requiem. From the beginning, this rich and contrasting work is hailed by critics throughout Europe. The theatrical nature of the solo voice parts are responsible for the Requiem sometimes being dubbed a “religious opera”, and Julianna Di Giacomo, Michelle DeYoung, Vittorio Grigolo, and Ildebrando d‘Arcangelo, light up the stage during this vintage performance, with Dudamel at the helm.

A closer look: featured composers

Further listening: featured works

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