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Antonio Vivaldi, Concerto for Violin, Strings and Basso Continuo, Op. 8 No. 1 in E Major "Spring", RV 269

1. Allegro

2. Largo

3. Danza pastorale. Allegro

Ástor Piazzolla, The Four Seasons of Buenos Aires

Verano porteño (Buenos Aires Summer)

Antonio Vivaldi, Concerto for Violin, Strings and Basso Continuo, Op. 8 No. 2 in G Minor "Summer", RV 315

1. Allegro non molto - Allegro

2. Adagio - Presto - Adagio

3. Presto

Ástor Piazzolla, The Four Seasons of Buenos Aires

Otoño porteño (Buenos Aires Autumn)

Antonio Vivaldi, Concerto for Violin, Strings and Basso Continuo, Op. 8 No. 3 in F Major "Autumn", RV 293

1. Allegro

2. Adagio molto

3. Allegro 'Caccia'

Ástor Piazzolla, The Four Seasons of Buenos Aires

Invierno porteño (Buenos Aires Winter)

Antonio Vivaldi, Concerto for Violin, Strings and Basso Continuo, Op. 8 No. 4 in F Minor "Winter", RV 297

1. Allegro non molto

2. Largo

3. Allegro

Ástor Piazzolla, The Four Seasons of Buenos Aires

Primavera porteña (Buenos Aires Spring)

Vivaldi's The Four Seasons and Piazzolla's The Four Seasons of Buenos Aires — With Vesko Eschkenazy and Liviu Prunaru

With the Royal Concertgebouw Orchestra

Concert
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Cast

Royal Concertgebouw Orchestra

Vesko Eschkenazy — Conductor, violinist

Liviu Prunaru — Conductor, violinist

Program notes

Baroque music that grooves, tangos flushed with 18th-century flair… The Royal Concertgebouw Orchestra offers an effervescent musical evening that juxstaposes Vivaldi’s radiant Le Quattro Stagione (“The Four Seasons”) with Astor Piazzolla’s sultry Las cuatro estaciones porteñas (“The Four Seasons of Buenos Aires”).

Composed in the late 1960s for his quintet of piano, bandoneón, violin, electric guitar, and bass, Piazzolla’s work honors Vivaldi’s groundbreaking set of violin concertos while reinterpreting their naturalistic theme from the perspective of his native Argentina and its musical traditions. Although the original work made occasion melodic references to Vivaldi's concertos, it was Leonid Desyatnikov who later arranged the suite for solo violin and string orchestra at the request of violinist Gidon Kremer, and in the process added 15 quotations strengthening the link between the two works. The orchestra’s principal violinists Vesko Eschkenazy and Liviu Prunaru lead their fellow musicians while delivering scintillating interpretations of the solo parts.

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