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Adriano Banchieri, Il Zabaione musicale, inventione boscareccia et primo libro de madrigali a cinque voci

Già che ridotti siamo

Alessandro Stradella, Cantata "Amanti olà olà, Accademia d’Amore"

1. Sinfonia (Lento)

Orazio Vecchi, Le Veglie di Siena, overo i varii humori della musica moderna
 a 3, a 4, a 5, & a 6 Voci

L'humore musicale

Alessandro Stradella, Cantata "Amanti olà olà, Accademia d’Amore"

2. Sinfonia (Allegro)

3. Coro a cinque voci "Amanti, olà, olà"

4. Recitativo "Hor non fia chi paventi"

8. Duetto "D'amore a l'invito"

10. Aria "La beltà d'un vago viso"

11. Recitativo "Chi va se delirante"

George Frideric Handel, Orlando, HWV 31

II, 10: Aria “Ah! stigie larve, ah! scelerati spettri!”

Giaches de Wert, Il quinto libro de madrigali a cinque, sei et sette voci (1580)

Queste non son più lagrime, che fuori stillo da gli occhi (a 6)

Antonio Vivaldi, Orlando Furioso, RV.Anh.84

II, 5: Aria “Ah sleale, ah spergiura”

George Frideric Handel, Il Trionfo del Tempo e del Disinganno, HWV 46a

"Lascia la spina"

Antonio Vivaldi, Ottone in villa, RV 729

I, 11: Aria "Gelosia, tu già rendi l'alma mia"

Antonio Vivaldi, Il Tigrane, RV 740

Aria "Care pupille"

Alessandro Stradella, Cantata "Amanti olà olà, Accademia d’Amore"

II. 9: Recitativo "Benché ascritto non sia"

II. 10: Aria "Si guardi"

II. 13: Recitativo “Unito il Disinganno a la Ragione”

II. 14: Madrigale “Sono Maestro è Amore”

Domenico Cimarosa, L’impresario in angustie, opéra bouffon en deux actes

I, 1: “Vè che matta, maledetta!”

Joseph Haydn, La Canterina, Hob.XXVIII:2

I, 8: Recitativo "Donne belle!"

I, 8: Recitativo and aria "Che mai far deggio?"

I, 8: Recitativo " Che dici?"

Domenico Sarro, L'impresario delle Canarie

Intermezzo Secondo (excerpts)

Intermezzo Primo (excerpt)

Wolfgang Amadeus Mozart, "Un bacio di mano”, Ariette für Bass und Orchester, KV. 541

Joseph Haydn, La Canterina, Hob.XXVIII:2

I, 8: Quartetto "Scellerata! mancatrice! traditrice!"

Nicola Antonio Porpora, "Oh se fosse il mio core", cantata a voce sola

Joseph Haydn, Orlando Paladino, Hob.XXVIII:11

III: Finale. Coro: "Son confuso e stupefatto"

Gioachino Rossini, La Cenerentola

II. Sestesso "Voi siete?"

An Italian Garden, a creation by William Christie and Paul Agnew

7th edition of the Académie du Jardin des Voix

Concert
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Cast

Paul Agnew — Stage director

Sophie Daneman — Co-stage director

Tougani — Costume designer

Lucía Martín-Cartón — Soprano

Lea Desandre — Mezzo-soprano

Carlo Vistoli — Countertenor

Nicholas Scott — Tenor

Program notes

Since its inaugural edition in 2002, the Arts Florissants’s Academy for young artists, called “le Jardin des Voix”, has become one of the premiere French professional vocal ensembles. Over the course its existance, its leader William Christie has been able to train “a new generation of singers who became performers and passionate defenders of the baroque repertoire”. Among them are stars like Sonya Yoncheva, Christophe Dumaux, Emmanuelle de Negri, and Amel Brahim-Djellou.

The 7th edition of the Académie du Jardin des Voix highlights Italian baroque music from the late 17th and early 18th centuries: Stradella, Vivaldi, and Cimarosa... A program perfectly fitting the voices of this year’s class: Lucía Martín-Cartón, Léa Desandre, Carlo Vistoli, Nicholas Scott, Renato Dolcini, and John-Taylor Ward. In weaving arias together by ingeniously imagining stories based on the original operatic scenes, Sophie Daneman and Paul Agnew create put these operatic and comic jewels in their best light. 

 

A closer look: featured composers

Further listening: featured works

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