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François Francœur, Sonata No. 2 in E Minor, Book 1 (Paris, 1720)

1. Adagio

2. Allemande. Andante

3. Sarabande

4. Rondeau

5. Presto

Élisabeth Jacquet de La Guerre, Sonata No. 1 in D Minor (Paris, 1707)

[Adagio]

Presto

Adagio

Presto — Adagio

Aria

Presto

Jean-Philippe Rameau, First book of harpsichord pieces

Allemande I

Jean-Philippe Rameau, Gavotte et six doubles from the Suite No. 4 in A Minor, RCT 5

Gavotte

Pr. Double de la Gavotte

2me Double

3me Double

4me Double

5me Double

6me Double

Jacques Duphly, Pieces for harpsichord with violin accompaniment, Sonata No. 1

Aria gratioso

Antoine Albanèse, Romance 'au bord d’une fontaine, hélas j’ai perdu mon amant' (second book of songs with accompaniment of violin and continuo)

Wolfgang Amadeus Mozart, Six Variations on "Hélas, j'ai perdu mon amant", K.360/374b

Sophie de Bardonnèche and Justin Taylor in a "Rendez-vous Baroque"

Concert behind closed doors

Concert
Subscribers

Cast

Sophie de Bardonnèche — Violinist

Justin Taylor — Harpsichordist, fortepianist

Program notes

Violinist Sophie de Bardonnèche and keyboardist Justin Taylor perform a closed-door concert full of Baroque-era gems, offering a rich selection that shows the vast evolution in styles and instruments during this period, at the Fondation Singer-Polignac. The program begins with the exquisite melodic lines of François Francoeur’s Sonata No. 2 in E Minor, followed by Élisabeth Jacquet de La Guerre’s Sonata in D Minor. One of the first women composers of her time, Jacquet de La Guerre's finely wrought music prefigured the unification of the French and Italian styles. Taylor's harpsichord then gives way to the fortepiano, and the dynamite duo round out the evening with Mozart's Six Variations on the plaintive melody “Hélas, j’ai perdu mon amant."


Sophie de Bardonnèche and Justin Taylor are Artists in Residence at the Fondation Singer-Polignac with their ensemble Le Consort.

A closer look: featured composers

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