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Antonio Vivaldi, Credo in E minor, RV 591

I. Credo in unum Deum

II. Et incarnatus est

III. Crucifixus

IV. Et resurrexit

Leonardo Leo, Miserere for double choir, 8 voices and basso continuo

Antonio Maria Bononcini, Stabat Mater in C minor

I. Stabat Mater dolorosa (Largo)

II. O quam tristis et afflicta

III. Quis est homo, qui non fleret

IV. Pro peccatis suæ gentis

VI. Sancta mater, istud agas

VIII. Juxta Crucem Tecum Stare

IX. Virgo virginum præclara

X. Fac, ut portem

XI. Fac me plagis vulnerary

XII. Fac Me Cruce Custodiri (Affetuoso)

XIII. Quando Corpus Morietur (Largo) - Paradisi Gloria

Rinaldo Alessandrini conducts Vivaldi, Leo, and Bononcini — With Concerto Italiano

Misteria Paschalia Festival 2019

Concert
Subscribers

Cast

Sonia Tedla — Soprano

Enrico Torre — Countertenor

Luca Cervoni — Tenor

Salvo Vitale — Bass

Polish Radio Choir

Maria Piotrowska-Bogalecka — Chorus Master

Program notes

The world-renowned Concerto Italiano, one of the preeminent Baroque ensembles active today, presents a glorious triptych of Italian Baroque masterpieces, under the attentive, expressive, and experienced direction of Rinaldo Alessandrini.

The program begins with Vivaldi’s Credo in E Minor, a typically Vivaldian score brimming with drama, reminiscent of the Violin Concerto Winter, but uniquely set for chorus and orchestra without vocal soloists. Next comes the Miserere for two choirs by Leonardo Leo, a brilliant exemplar of stereophonic-like 18th-century choral music, with the two choirs dialoguing in a moving call and response. Finally, Bononcini's Stabat Mater reveals a profoundly inventive composer with theatrical flair, the quality of whose work is matched by the pristine vocalists and practiced instrumentalists in this group of specialists!

A closer look: featured composers

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