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Benjamin Britten, Albert Herring

Flor-ence! Tell The Midwife!

Doctor Jessop's Midwife

I Hope We're Not Too Early, Florence?

Stuffy!

Now Then! Notebook, Florence!

The First Suggestion On My List

Is This All You Can Bring?

Beggin' Your Pardon

Right! We'll Have Him!

Interlude I

Bounce Me High

Shop! Hi! Albert!

Meet Me At A Quarter Past Eight

He's Much Too Busy

Good Morning, Young Man

We Bring Great News To You

Isn't He Here?

Quickly! Quickly, Come Along!

Here They Are, Dears!

I'm Full Of Happiness

As Representing The Local Council

My Heart Leaps Up With Joy

Er-humph! Er-humph! I'm No Great Shakes

Well Tried, Albert!

Interlude II

Albert The Good!

You Oughtn't To Whistle!

Heaven Helps Those Who Help Themselves!

Is she asleep

I'm Hungry, I'm Tired

Give Me A Decent Murder With A Corpse!

Have You Found Him?

Fools! Fools! Blundering Fools!

In The Midst Of Life Is Death

Albert!

I Can't Remember Everything

Albert's Come Back To Stay

Britten's Albert Herring

Richard Brunel (stage director), Laurence Equilbey (musical direction) – With Allan Clayton (Albert Herring), Nancy Gustafson (Lady Billows), Felicity Palmer (Florence Pyke)

Opera
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Cast

Richard Brunel — Stage director

Marc Lainé — Scenography

Claire Risterucci — Costumes designer

Mathias Roche — Lighting

Allan Clayton — Actor (Albert Herring)

Nancy Gustafson — Actress (Lady Billows)

Felicity Palmer — Actress (Florence Pyke)

Program notes

Feast your eyes and ears on Benjamin Britten's chamber opera Albert Herring, directed for the stage by Richard Brunel and coproduced by the Opéra Comique in Paris and the Opéra de Rouen Normandie. Inspired by Guy de Maupassant's novella Le Rosier de Madame Husson, this work paints a vivid portrait of the young title character, alternately praised and scorned by a self-righteous, youth-fearing society whose hypocrisy becomes the object of Britten's trenchant wit.

Brunel's mise en scène rests on a standardized set design that accentuates the control and surveillance to which the young characters find themselves subjected. The director draws upon the fears and hypocrisies of our contemporary society as well, showing that things are rarely as they seem under a sanitized surface. With its musical subtlety—carefully educed by conductor Laurence Equilbey—and its dramatic heft, this chamber opera rises to the meet the high stakes of 20th-century opera. The top-notch cast convinces at every turn, including an exceptional Allan Clayton in the title role.

This is just one of hundreds of stunning operas available on medici.tv, the web's leading classical music streaming platform!

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