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Antônio Carlos Gomes, Lo Schiavo

Preludio

I, 1: Oggi Imene qui prepara

I, 2: Salute a voi, signor

I, 3: Una rivolta degli schiavi

I, 4: Segue e sorveglia i passi miei

I, 5: Vittoria!

I, 6: Fermate... Che avvenne mai?

I, 6: In aspra guerra per la mia terra

I, 6: Che dissi io mai!

I, 6: Baciar desìo la tua man

I, 7: Di ribellione autore

I, 7: Ah! Amo l'angelo che Iddio

I, 8: Che vedo! Là...

I, 9: Conservi ognor fedele

I, 10: Ah! Tradimento!

II, 1: Piacer! Ecco la cura

II, 2: Conte, voi obliarmi sembrate

II, 3: All’istante partir di qui vorrei

II, 3: Quando nascesti tu

II, 6: Grazie davver, signori

II, 6: Un astro splendido

II, 7: Quegl'infelici or dunque

II, 8: Che vedo? Qui costoro?

II, 8: La fiamma cocente

III, 1: Alba dorata del natio mio suol

III, 1: Oh ciel di Parahyba

III, 1: La stella dell'amor

III, 2: Vedi? Son teco!

III, 3: Fragile cor di donna

III, 4: Iberè!

III, 5: Di quale frastuono la selva risuonò!

III, 5: Guerrier prode e fedele

III, 6: Pari alla tigre

IV, 1: All'erta! All'erta!

IV, 2: Uno scampo Iberè si prepara...

IV, 3: Sospettano di me

IV, 3: Sogni d'amore

IV, 3: Ullàa! All'erta!

IV, 4: Preludio orchestrale

IV, 5: Oh come splendido e bello

IV, 5: Come serenamente

IV, 6: Ecco l'ombra mia funesta

IV, 7: Il temerario vien dal mar

IV, 8: Benché le insegne e l'armi

IV, 9: Traditor! La giusta vendetta

IV, 9: È ver, l'amai nell'iride

IV, 10: Olà! Che tardi?

Gomes's Lo Schiavo

Davide Garattini Raimondi (stage director), John Neschling (conductor) — With Dongho Kim (Il Conte Rodrigo), Massimiliano Pisapia (Américo), Svetla Vassileva (Ilara), Elisa Balbo (La Contessa di Boissy), Andrea Borghini (Iberè)...

Opera
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Cast

Davide Garattini Raimondi — Stage director

Tiziano Santi — Scenography

Domenico Franchi — Costume designer

Alessandro Verazzi — Lighting

Luigia Frattaroli — Choreographer

Anna Aiello — Assistant stage director

Laura Giannisi — Assistant costume designer

Program notes

In the long tome of human history, the chapter on slavery is one of the longest, cruelest, and most unforgivable—still tragically current in parts of the world, its legacy reverberates deeply and painfully in just about every country on Earth. In Brazil, slavery was abolished in 1888 with the Lei Áurea (Golden Law), and the following year, penned by a native son, Lo Schiavo (The Slave) premiered in Rio de Janeiro. Born of the imagination of composer Carlos Gomes with a libretto by Rodolfo Paravicini, based on a theatrical play by Alredo d'Escragnolle Taunay, the opera transports us to the 16th century, the era of Portuguese colonialism.

Young colonist Américo, interpreted by the marvelous Massimiliano Pisapia, is in love with Amazonian Ilara, played with great sensitivity by Svetla Vassileva. Their journey is fraught with challenges, due in part to the machinations of the Contessa di Boissy, as well as to the tense relationship between the Portuguese and the Amazonians. Enjoy the deep, resonant low range of the voices on prominent display: basses Dongho Kim and Francesco Musinu, and baritones Andrea Borghini and Daniele Terenzi. Davide Garattini Raimondi's staging places us right away in the heart of the action in this first-ever production in Italy, the composer's adopted homeland...

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