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1

Charles Gounod, La Nonne sanglante

Ouverture dramatique

I: Air. Arrêtez, chrétiens!

I: Récitative et Choeur. Quel est ce bruit?

I: Duetto. Nos ennemis vaincus ont fui loin de ces lieux!

I: Duo. Rodolphe!

I: Final. Que vois-je?

II: Choeur. Assez rire et boire

II: Couplets. Veilleur je te bénis! tu les a fait partir

II: On approche... c'est lui...

II: Air. Voici l'heure!

II: Intermède fantastique avec choeur dans la coulisse. Hou! Hou!

II: Scène avec choeurs. Prodige qui confond ma raison et mes yeux

III: Choeur et Duetto. Valsez sous l'ombrage

III: On m'a dit qu'en ces lieux je trouverais mon maître?

III: Couplets. Un page de ma sorte

III: Récitative et Duo. Au milieu de l'orage

III: Du vain délire où votre âme s'agite

III: Réprenez courage!

III: Cavatine. Un jour plus pur

III: Duo. Me voici, moi ton supplice!

IV: Couplets. Bons chevaliers

IV: Final. Oublions tous les discordes passées!

V: Air. Mon fils me fuit en vain... ah!

V: Duo. Frapper mon fils!

V: Final. Ô disgrâce cruelle!

Gounod's La Nonne Sanglante (The Bloody Nun)

David Bobée (stage director), Laurence Equilbey (conductor) — With Michael Spyres (Rodolphe), Jodie Devos (Arthur), Jérôme Boutillier (Count Luddorf), Marion Lebègue (The Nun)...

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Cast

David Bobée — Stage director

Michael Spyres — Rodolphe

Vannina Santon — Agnès

Marion Lebègue — The nun

Jérôme Boutillier — Count Luddorf

Jodie Devos — Arthur

Jean Teitgen — Peter the Hermit

Program notes

In a medieval Bohemia troubled by hereditary conflicts, Rodolphe defies his father and challenges his ancestors out of love for the rival clan’s daughter, offered as a pledge of peace to his own brother. But Agnès seems alarmingly like the ghost who haunts Moldaw’s castle...

Loosely adapted from Matthew Lewis's The Monk, a Gothic novel in vogue among the Romantics, the libretto for La Nonne sanglante on which Gounod composed his opera was the work of legendary librettist Eugène Scribe and Germain Delavigne. The opera’s modest but underwhelming success during a period of crisis for the Paris Opera contributed to the sacking of Paris Opera director Nestor Roqueplan, whose successor François Crosnier called the opera “filth” and cancelled the rest of its 1854 run.

At the Opéra Comique in 2018, Gounod’s opera comes roaring back to live thanks to three great enthusiasts of Romantic torments: renowned conductor Laurence Equilbey, stage director David Bobée, and tenor Michael Spyres, an outstanding Rodolphe. The production highlights the medieval character of the libretto while never coming off as dated—the weary warriors and wild women almost call to mind Game of Thrones or Lord of the Rings. A black and white world, stained red by the Nun’s blood-soaked dress…

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