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Urbez Capablo, Pausa 01

Wolfgang Amadeus Mozart, Symphony No. 26 in E-flat major, K. 184

1. Molto Presto

2. Andante

3. Rondo Allegro

Urbez Capablo, Pausa 02 (30 segundos)

Wolfgang Amadeus Mozart, Die Zauberflöte, K. 620

"In diesen heil’gen Hallen"

Wolfgang Amadeus Mozart, Thamos, Rey de Egipto, K. 345

1.Templo del Sol - Choro

Urbez Capablo, Pausa 03 (60 segundos)

Wolfgang Amadeus Mozart, Thamos, Rey de Egipto, K. 345

2.Interludio (Maestoso-Allegro)

Urbez Capablo, Pausa 04 (40 segundos)

Wolfgang Amadeus Mozart, Arie for Tenor and Orchestra (Müsst ich auch durch tausend Drachen), K. 435

Urbez Capablo, Pausa 05 (60 segundos)

Wolfgang Amadeus Mozart, Thamos, Rey de Egipto, K. 345

3.Interludio (Andante)

Wolfgang Amadeus Mozart, Die Zauberflöte, K. 620

Aria "Ach, ich fühl’ es"

Urbez Capablo, Pausa 06 (40 segundos)

Wolfgang Amadeus Mozart, Thamos, Rey de Egipto, K. 345

4.Interludio (Allegro)

Urbez Capablo, Pausa 07 (12 segundos)

Wolfgang Amadeus Mozart, Thamos, Rey de Egipto, K. 345

5.Interludio (Allegro Vivace assai)

Urbez Capablo, Pausa 08

Wolfgang Amadeus Mozart, Zaide, K. 344

Urbez Capablo, Pausa 09 (12 segundos)

Wolfgang Amadeus Mozart, Die Zauberflöte, K. 620

II: "O Isis und Osiris"

Wolfgang Amadeus Mozart, Thamos, Rey de Egipto, K. 345

6.Coro Thamos

7.a Interludio Thamos

Wolfgang Amadeus Mozart, O Heiliges Band Der Freundschaft, K. 148

Wolfgang Amadeus Mozart, Thamos, Rey de Egipto, K. 345

7.b Solo y Coral

T.H.A.M.O.S., after Mozart

Carlus Padrissa (stage director), Alondra de la Parra (conductor) — With René Pape (Konig Menes), Fatma Said (Tharsis)

Opera
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Cast

Carlus Padrissa — Stage director

Roland Olbeter — Stage design

Chu Uroz — Costume designer

Franc Aleu — Lighting

Gaby Barberio — Choreographer

Thomas Bautenbacher — Visual artist

Program notes

Carlus Padrissa draws on the music composed by Mozart for the little-known opera Thamos, King of Egypt, and offers us an exceptional event from the 2019 Mozartwoche (Mozart Week) Festival in Salzburg!

Inspired by Tobias Philipp von Gebler’s play König in Ägypten, this spectacular opera immerses us in a futuristic atmosphere through eye-catching special effects and uncanny lighting design by Franc Aleu. An algorithmic composition recurs like a leitmotif, combining the sounds of robotic instruments and phones with voices of the chorus. As a perfect finishing touch, the characters are suspended in mid-air and magically float above the stage, following Gaby Barberio’s carefully crafted choreography.

In this striking production, Carlus Padrissa explores all facets of his artform, breathing new life into opera by mixing it with literature, as in the projections of poems by Antonin Artaud. In the play itself, Thamos states: “Our nature evolves and art makes it progress, poetry sings about it and music writes its story. It is the same mutation that is present in man!” T.H.A.M.O.S is a beautiful illustration of this sentiment, with this production featuring faultless performances by the Camerata Salzburg and world-class soloists, including René Pape and Fatma Said.

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