Opera

Puccini's Tosca

Hugo de Ana (stage director), Francesco Ivan Ciampa (conductor) – With Sonya Yoncheva (Floria Tosca), Mario Cavaradossi (Vittorio Grigòlo), Roman Burdenko (Il barone Scarpia)

Live
Certain chapters are not available.
Thank you for your understanding.

Cast

Hugo de Ana — Stage director, lighting designer, set and costume design

Sonya Yoncheva — Floria Tosca

Vittorio Grigolo — Mario Cavaradossi

Roman Burdenko — Il barone Scarpia

Giorgi Manoshvili — Cesare Angelotti

Giulio Mastrototaro — Il sagrestano

Carlo Bosi — Spoletta

Nicolo Ceriani — Sciarrone

Dario Giorgelè — Un carceriere

Erika Zaha — Un pastore

Children's choir A.d’A.Mus — Chorus

Elisabetta Zucca — Children’s Chorus Master

Chorus of the Arena di Verona — Chorus

Roberto Gabbiani — Chorus Master

Program notes

In 1889, Puccini attended a play—written by Victorien Sardou and performed by the great Sarah Bernhardt—whose main character exuded theatricality. He bought the rights to this passionate drama, and after a few years' work and two operas—Manon Lescaut (1893) and La Bohème (1896)—it was Tosca's turn to be revealed to the general public. Although the work was not an immediate success, it is now widely recognized as one of opera's finest masterpieces. Sung for over a century by the greatest voices, witness Sonya Yoncheva take on the mythical role of Sarah Bernhardt, accompanied by the talented Vittorio Grigòlo and Roman Burdenko—in a superb staging at the Arena in Verona, staged by Hugo de Ana!

Rome, June 1800, painter Mario Cavaradossi comes to the aid of a political prisoner, Angelotti, hunted by the dreadful police chief Scarpia, an instrument of the authoritarian regime's arbitrary justice. While his gesture is commendable, it is not without consequences, for Scarpia, long in love with the painter's lover Floria Tosca, sees it as a means to an end. By manipulating Tosca, an opera singer, he hopes to possess her, recover Angelotti, and condemn Cavaradossi. Tosca, subjected to Scarpia's cunning assaults, soon becomes the plaything of his desires and cruelties. She manages to escape by manipulating him in turn, stabbing him as part of a clever seduction routine. Now free again, she hopes to escape with Mario, but has no idea of the cruel outcome that awaits them, and that is drawing ever closer...

A closer look: featured composers

Further listening: featured works

More info