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Johann Sebastian Bach, Schemellis Gesangbuch

"Dir, dir, Jehova, will ich singen", BWV 452

Johann Sebastian Bach, Toccata in G major, BWV 916

1. Presto

Johann Sebastian Bach, Notebook for Anna Magdalena Bach

"Willst du dein Herz mir schenken", BWV 518

Johann Sebastian Bach, Choral BWV 683, "Vater unser im Himmelreich"

Johann Sebastian Bach, Notebook for Anna Magdalena Bach

"So oft ich meine Tobackspfeife mit gutem Knaster angefüllt", BWV 515a

Johann Sebastian Bach, Cantata «Amore traditore», BWV 203

Aria : "Amore traditore"

Recitative : "Voglio provar, se posso sanar"

Aria : "Chi in amore ha nemica la sorte"

Johann Sebastian Bach, Notebook for Anna Magdalena Bach

Choral BWV 691, "Wer nur den lieben Gott läßt walten"

Johann Sebastian Bach, Cantata «Ich habe genug», BWV 82

2. Recitativo: «Ich habe genug»

3. Aria: «Schlummert ein, ihr matten Augen»

Johann Sebastian Bach, Toccata in G major, BWV 916

3. Allegro

Johann Sebastian Bach, Notebook for Anna Magdalena Bach

"Schaff's mit mir, Gott", BWV 514

"Bist du bei mir", BWV 508

Menuet in G major, BWV Anh. 116

Johann Sebastian Bach, Schemellis Gesangbuch

"Brunnquell aller Güter", BWV 445

"Ihr Gestirn, ihr hohen Lüfte", BWV 476

Johann Sebastian Bach, Toccata in G major, BWV 916

2. Adagio

Johann Sebastian Bach, Schemellis Gesangbuch

"Jesus, unser Trost und Leben’, BWV 475

Johann Sebastian Bach, Notebook for Anna Magdalena Bach

Menuet in G major, BWV Anh. 114

Johann Sebastian Bach, Schemellis Gesangbuch

"Ich freue mich in dir", BWV 465

"Komm, süßer Tod", BWV 478

At home with Bach

Ton Koopman (clavecín), Klaus Mertens (barítono)

Concierto
Suscriptores

Casting

Klaus Mertens — Barítono

Ton Koopman — Clavecinista

Sobre el programa...

Dutch harpsichord and organ player Ton Koopman reveals to us a less well known side of Bach's genius.

In 2000 Ton Koopman chose Gohlis Castle, a rococo masterpiece built at the end of the 18th century in Leipzig, as the place to record an unusual programme: that of a private Bach, who composed short pieces intended for private use, for his family, either for pedagogical reasons or for entertainment.

To sketch this unusual portrait of Bach "at home," Ton Koopman selected a series of twenty miniatures that were most probably played by Bach's children and in front of his friends. On the harpsichord or the organ, the musician interprets with his customary dexterity some of these works that have rarely been heard; he also accompanies the excellent baritone Klaus Mertens in cantatas that alternate between the religious and the profane and which are not always devoid of humour. This recording made on the occasion of the 250th anniversary of the death of the Cantor of Leipzig makes an original and essential contribution to the knowledge of the composer.

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