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Michel Pignolet de Montéclair, La Morte di Lucretia

"Ferma Tarquinio il passo"

"Dove vai crudo Spietato?"

"Ma folle! E che vaneggi"

"Coraggio mei Spirti"

"Di mortale sudor"

"Assistetemi, oh Dei!"

"Così morì Lucretia"

Arcangelo Corelli, Concerto grosso in D major, op. 6 no. 1

I. Largo - Allegro

II. Largo - Allegro

III. Largo

IV. Allegro

V. Allegro

Domenico Scarlatti, Tinte a note di sangue

Alessandro Scarlatti, Sonata a quattro en fa mayor (basada en el Concerto grosso n.° 3 en fa mayor)

Georg Friedrich Händel, Agrippina condotta a morire, HWV 110

"Dunque sarà pur vero"

"Orrida, obscura"

"Ma pria che d'empia… Renda cenere il tiranno"

"Si, si, del gran tiranno"

"Come, o Dio!"

"Se, infelice al mondo vissi"

"Trema l'ingrato figlio"

"Su lacerate il seno"

Georg Friedrich Händel, Giulio Cesare in Egitto, HWV 17

II, 8: Aria «Se pieta di me non senti»

Christophe Rousset conducts Montéclair, Corelli, Scarlatti, Handel — With Sandrine Piau

Bayreuth Baroque Festival

Concierto
Suscriptores

Casting

Sobre el programa...

In the intimate, candlelit atmosphere of Bayreuth's St. George's Church, Sandrine Piau, Christophe Rousset, and Les Talents Lyriques present a concert of secular cantatas created in 18th-century Rome. The program includes works by Corelli, Scarlatti, Handel, and the French composer Montéclair.

Sandrine Piau brings to life the heroines of Roman history, whose misadventures are depicted by the composers, with a force of emotion rarely equaled. First of all, Michel Pignolet de Montéclair's Lucretia comes to life; a woman raped by Sextus and whose only recourse to cope with this tragedy is to take her own life, her timeless myth takes on bitter accents. Later, it's Agrippina's turn to tell her story, that of a mother put to death by her own son Nero, through Handel's music, which would also inspire his opera Agrippina. Between these declamations, the orchestra takes the floor to perform Corelli's Concerto Grosso No. 6 and Alessandro Scarlatti's Sonata a quattro.

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