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Michel Pignolet de Montéclair, La Morte di Lucretia

"Ferma Tarquinio il passo"

"Dove vai crudo Spietato?"

"Ma folle! E che vaneggi"

"Coraggio mei Spirti"

"Di mortale sudor"

"Assistetemi, oh Dei!"

"Così morì Lucretia"

Arcangelo Corelli, Concerto grosso in D major, op. 6 no. 1

I. Largo - Allegro

II. Largo - Allegro

III. Largo

IV. Allegro

V. Allegro

Domenico Scarlatti, Tinte a note di sangue

Alessandro Scarlatti, Sonata a quattro en fa mayor (basada en el Concerto grosso n.° 3 en fa mayor)

Georg Friedrich Händel, Agrippina condotta a morire, HWV 110

"Dunque sarà pur vero"

"Orrida, obscura"

"Ma pria che d'empia… Renda cenere il tiranno"

"Si, si, del gran tiranno"

"Come, o Dio!"

"Se, infelice al mondo vissi"

"Trema l'ingrato figlio"

"Su lacerate il seno"

Georg Friedrich Händel, Giulio Cesare in Egitto, HWV 17

II, 8: Aria «Se pieta di me non senti»

Christophe Rousset conducts Montéclair, Corelli, Scarlatti, Handel — With Sandrine Piau

Bayreuth Baroque Festival

Concierto
Suscriptores

Casting

Sobre el programa...

In the intimate, candlelit atmosphere of Bayreuth's St. George's Church, a group of the world's finest Baroque interpreters comes together for an unforgettable evening at the Bayreuth Baroque Opera Festival! Soprano Sandrine Piau, harpsichordist and conductor Christophe Rousset, and Rousset's world-renowned ensemble Les Talens Lyriques present a concert of concertos and secular cantatas created in 17th- and 18th-century Rome by Handel, Arcangelo Corelli, Alessandro Scarlatti, and French composer Michel Pignolet de Montéclair.

Sandrine Piau uses her superb soprano voice and extraordinary stage presence to give the tragic heroines of Roman history a chance to tell their stories in song. She first brings to life the heartbreaking role of Michel Pignolet de Montéclair's Lucretia, raped by the son of the Roman king Tarquin and driven to take her own life. Later, she tells the tale of Agrippina, that of a mother put to death by her own son Nero, in Handel's cantata Agrippina condota a morire (Agrippina condemned to die), based on the same source as his opera Agrippina. Between these finely wrought cris de cœur, the orchestra performs Arcangelo Corelli's serene Concerto Grosso No. 6 and the charming Sonata a quattro in F by Alessandro Scarlatti.

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