Ариадна на Наксосе
Sven-Eric Bechtolf (stage director), Daniel Harding (conductor) — With Emily Magee (The Prima Donna/Ariadne), Elena Mosuc (Zerbinetta), Jonas Kaufmann (The Tenor/Bacchus)
Состав
Свен-Эрик Бехтольф — Режиссёр-постановщик
Рольф Глиттенберг — Художник по декорациям
Марианна Глиттенберг — Художник по костюмам
Хайнц Шпёрли — Хореограф
Ронни Дитрих — Драматургия
Юрген Гофманн — Художник по свету
Эмили Маджи — The Prima Donna/Ariadne
Елена Мошук — Zerbinetta
Йонас Кауфман — The Tenor/Bacchus
Ева Либау — Naiad/A Shepherdess
Мари-Клод Шапюи — Dryad/A Shepherd
Элеонора Буратто — Echo/A Singer
Габриэль Бермудес — Harlequin
Майкл Лоренц — Scaramuccio
Тобиас Керер — Truffaldino
Мартин Миттерруцнер — Brighella
Петер Матич — The Major-Domo
О программе
The first opera premiere of the Wiener Philharmoniker at the 2012 Salzburg Festival – conducted by Daniel Harding – featured a familiar work in an unfamiliar guise: Richard Strauss' Ariadne auf Naxos had its world premiere in the original version one hundred years ago. The Salzburg Festival celebrates this anniversary as homage to the three founding fathers as well, since Strauss and Hofmannsthal dedicated this opera to Max Reinhardt.
Ariadne auf Naxos was the third collaboration by Richard Strauss and Hugo von Hofmannsthal, written directly after the great success of Der Rosenkavalier. Originally planned as a "divertissement with a small chamber orchestra," the project expanded into a grand venture combining opera, drama and ballet – and was a flop at its world premiere in 1912. Now the Salzburg Festival pledges to fulfill "the still-wonderful dream of its creators: to bring together the different genres of theater, ballet, drama, music and singing." Sven-Eric Bechtolf will direct this unconventional production, and has not only adapted Molière's play Le Bourgeois gentilhomme, which preceded the opera at the time, but has also reinstated the ballet music written for it subsequently. "A hundred years have passed since Hofmannsthal began to work on this tale with the fiercely practical and dramaturgically highly talented Strauss, one hundred years since the disastrous world premiere of Ariadne auf Naxos. We take this 'anniversary' as an opportunity to revisit the original version. And where would this make more sense than in Salzburg?" (Sven-Eric Bechtolf)
Picture: © Ruth Walz
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