Откройте для себя Брукнера и его Симфонию № 9! Её композиция началась в 1887 году, но автор умер, не завершив последний раздел (без сомнения, ещё одна жертва ужасного Проклятия Девятой), но успел сделать последнее предложение: исполнять его Te Deum вместо финального раздела. Так и произошло на премьере в 1903 году, спустя долгое время после смерти Брукнера. Долгое время люди не были уверены, как исполнять Симфонию № 9: как должно заканчиваться произведение? Следует ли исполнять знаменитое Te Deum? Стоит ли пытаться реконструировать недостающий раздел? Или стоит довольствоваться только первыми тремя частями? Последнее решение было принято, и в наши дни ансамбли заканчивают третьей частью, возвышенным Адажио.

Просмотреть записи Симфония № 9 ре минор, WAB 109

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medici.tv is the best online platform for streaming Bruckner’s Symphony No. 9 in D Minor live, on replay or VOD, offering you a virtual ticket to the most exciting concerts with the world’s best artists and orchestras captured in HD video. Symphony No. 9 is Bruckner’s ultimate symphonic work, which he didn't even have time to finish. Aware of his impending death, the composer recommended his Te Deum as the final movement. This confirms once again the theory of the “Curse of the Ninth”...

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Bruckner began composing his Symphony No. 9 in D Minor in 1887, before taking a break from it for a while, discouraged by the difficulty with which he had reached the end of his Eighth. He took up the score again in 1891, and it took him three years to complete the first movements. The final movement would remain unfinished, and Symphony No. 9 would not be premiered until 1903, 7 years after Bruckner’s death. In accordance with his wishes, at the premiere of the work, his Te Deum was played as the final movement. However, at the time of its premiere, the performance of Bruckner’s Symphony No. 9 was not entirely faithful to the original score. As a result, for a long time, the public would not discover Bruckner’s true Ninth. From 1932 on, the original score was played again, but one question remained: what about the final movement? There are so many gaps in the score that any attempt to reconstruct the fourth movement of Bruckner’s Symphony no. 9 would be futile, and the orchestras stop after the sublime Adagio.