Антонин Дворжак — Русалка, Op. 114, это опера в трех актах на чешское либретто Ярослава Квапила. История основана, среди прочих источников, на сказках Карела Яромира Эрбена и Божены Немцовой, но более известные отсылки, безусловно, к Русалочке Ганса Христиана Андерсена и Ондине Фридриха де ла Мотт-Фуке. На самом деле, Русалка рассказывает историю водяного духа, который влюбляется в человеческого принца, но который дорого заплатит за свою всепоглощающую страсть. И чтобы подчеркнуть это, первый акт произведения включает некоторые крещендо, которые отражают любовь и надежду Русалки, в то время как минорные аккорды, доминирующие во втором акте, предвещают приближающуюся трагедию… Между любовью и смертью, человеческими ограничениями и сверхъестественными элементами, Русалка содержит все элементы «грустной современной сказки».
Просмотреть записи « Русалка », B. 203 (Op. 114)
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A selection of our live streaming Antonin Dvořák’s Rusalka are available for free to all registered users, and the rest can be unlocked with a subscription. Live video events stream right to your living room from the most famous opera houses, and you can watch our performances streaming on your biggest screens with AirPlay, Chromecast, and our new Roku app. With its arias similar to the folkloristic melodies typical of Czech music, at the time of its creation, Dvořák’s opera Rusalka was perceived as a national work. Composed after the Slavonic dances, Rusalka can be considered as Dvořák’s exploration of national sources of inspiration for his symphonic art by. So come and discover the voice of the composer’s country, put into music by the craftsmanship of Dvořák, on medici.tv, whenever you want, wherever you want!
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Is there anything more important for a mermaid, like Dvořák’s Rusalka, than her own voice? Already present in Homer’s Odyssey, mermaids used their melodious song to bewitch the seamen and drag them down on the seabed… And yet, far removed from this terrible picture, Rusalka sacrifices her voice in order to live with her prince on earth, losing what was most dear and precious to her as a result. Dvořák’s Rusalka is conceived around an internal void, a tension between song and silence, mimicking an incurable wound that exposes the bare skin. But the tale of Rusalka is also a story of inner discovery, an invitation to find the right balance and to love oneself, since romantic love, as well as the tides where Dvořák’s water nymph grew up, follows the moon and keeps changing. In the most famous aria of the opera, Rusalka sings: “Moon, don’t hide, don’t hide!”