Grandes études de Paganini — это серия фортепианных этюдов, написанных Ференцем Листом в период с 1838 по 1851 год. Эти произведения являются результатом стремления венгерского композитора к виртуозности, не менее чем в его Études d’exécution transcendante. Однако на этот раз Лист черпает вдохновение из скрипичных произведений Никколо Паганини, и особенно из его 24 каприсов для скрипки соло: он переносит виртуозные элементы на фортепиано, которые украшали музыку генуэзского композитора. Результаты так же сложны для исполнения, как и красивы для прослушивания, и Grandes études de Paganini Листа заняли почетное место в пантеоне самых сложных произведений в фортепианном репертуаре.
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Taking inspiration from Paganini’s 24 Caprices, Liszt’s Grandes études de Paganini are considered the pinnacle of virtuosity in the piano repertoire. In fact, rumor has it that Paganini refused to play encore in his concerts, due to the difficulty of his music. This brought about an Italian proverb: “Paganini non ripete” (“Pagani does not repeat”)! The final version of Liszt’s Grandes études de Paganini, dated 1851 and dedicated to Clara Schumann, comprises six études, among which No. 3 is an exception. In fact, la Campanella is a piano transcription of Paganini’s Violin Concerto No. 2 in B minor. Becoming extremely famous, the third étude inspired a large number of composers, including Brahms, but also film soundtracks, such as L’Archet magique (1946) and Shine (1996). On medici.tv, you can find some of the best interpretations of Liszt’s Grandes études de Paganini. And contrary to what the proverb says, you can listen to Paganini again and again!