Симфонические танцы, Op. 45, являются одними из последних произведений Сергея Рахманинова. Осознавая, что его время на земле ограничено, он даже добавил надпись "Благодарю Тебя, Господи" внизу рукописи, как будто хотел попрощаться навсегда.
Полностью написанная в Соединенных Штатах, где он поселился с 1918 года, эта оркестровая сюита расцвела во втором творческом периоде Рахманинова. На самом деле—как и его третья симфония (написанная четырьмя годами ранее)—Симфонические танцы показывают стремление композитора исследовать новые музыкальные направления (в частности, новаторское использование альт-саксофона как солирующего инструмента).
Однако, Симфонические танцы также наполнены меланхоличными нотами, вызывающими образы России его детства и православных литургических песнопений, которые постоянно его очаровывали. Таким образом, сочетая современность Соединенных Штатов с традициями России, Симфонические танцы демонстрируют синтез, который является как биографическим, так и пророческим.
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