Скрипичный концерт ре мажор, соч. 35 Чайковского — единственный скрипичный концерт, когда-либо написанный русским композитором, уникальный по сравнению с его тремя произведениями, посвященными фортепиано. Его разделение на три части, соответственно Allegro moderato («Умеренно быстро»), Canzonetta - Andante («Весело, в темпе шага») и Finale - Allegro Vivacissimo («Очень быстро и живо»), демонстрирует радость и эйфорию, пронизывающие концерт. На самом деле, Скрипичный концерт Чайковского опирается на плавную мелодию, которая постепенно усиливается и взрывается в величественном кульминационном моменте. Из-за своей виртуозности два первых адресата произведения (скрипачи Леопольд Ауэр и Адольф Бродский) отказались его исполнять. Тем не менее, можно сказать, что, несмотря на свои трудности, а возможно, даже благодаря им, Скрипичный концерт представляет собой высшую точку счастливого периода, столь же яркого, сколь и короткого, в беспокойной жизни Чайковского.
Просмотреть записи Концерт для скрипки с оркестром ре мажор, Op. 35
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Tchaikovsky’s Violin Concerto in D major, Op. 35, the only work for violin ever written by the Russian composer, is nowadays considered an immortal masterpiece, thanks to its touching lyricism and devilish difficulty. Intimately linked to its author’s existential crisis, the Violin Concerto represents the purest product of artistic sublimation. After a failed marriage (a likely reason for the composer’s suicide attempt in Moskova river’s icy waters), Tchaikovsky searches for inner peace by the Geneva lake. Burning with secret passion for the young violinist Iossif Kotek, friend and first dedicatee of the work, Tchaikovsky sets to music his conflicting feelings and his inner demons. The result is one of the most human concertos ever written. Profoundly virtuosic, this concerto is driven by a passionate and moving vital impetus, one that Tchaikovsky must have experienced having escaped death. Leopold Auer’s words echo Tchaikovsky’s biography and his Violin Concerto’s turbulent composition: “The concerto has made its way in the world, and after all, that is the most important thing. It is impossible to please everybody.”