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Leoš Janáček, The Cunning Little Vixen

Act I - Prelude

Going to be a storm soon

Come on, old lady, and let's get the show started

Mummy ! Mummy ! What is that ?

Pantomime

Prelude

Look at how big she's grown

I'm just the same too

Look what we've got down 'ere

Interlude (Ou, ou !)

Interlude (Dawn)

You should take a lesson from me !

Sisters ! Comrades !

Come on then, don't be frightened

Act II - Prelude

Ah ! Who's that out there screaming ?

Interlude

In my new parish thing's have to be better

Once long since, long ago

Home now ?

Interlude

Something is wrong with my equilibrium

Staccato ! Flageoletti !

So remember to be a good man

Memnestho Aner Agathow Einai

Interlude

O my God ! He's so handsome !

One dark night

Fox goldenstripe

Can it be that I am lovely ?

Let me go ! I am afraid of you !

If you had only seen what I just saw now

That's how it is !

Act III - Prelude

In the month of May

Hey there, Harasta

Little foxes running fast

How many children do we have ?

Put it down fast ! Harasta, Harasta !

Interlude

Where is old man Pasek ?

Well I'm damned !

Interlude

Spring is here at last

When evening arrives, I welcome the rays

Hey ! But I can't see the vixen there !

Tha-that wasn't me

Janáček's The Cunning Little Vixen

André Engel (stage director), Dennis Russell Davies (conductor) – With Elena Tsallagova (The Vixen), Paul Gay (Harašta)

Opera
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Cast

André Engel — Stage director

Nicky Rieti — Set designer

Elizabeth Neumuller — Costumes designer

André Diot — Lighting

Chœurs du Théâtre National de l'Opéra de Paris

Alessandro di Stefano — Chorus master

Orchestre du Théâtre National de l'Opéra de Paris

Program notes

Elusive and always insolently free, even when the forester chains her up and the schoolmaster in his inevitable cups believes he is pursuing Terynka, this little vixen is a will-o'-the-wisp whose flashing russet, wherever it blazes, revives the smart of their ancient desires and departed loves in the hearts of men. In a community living as close to the natural state and its prodigies as it is imaginable to be, no other creature better personifies the life-force which demands that we accept the implacable cycle of Nature, encompassed between the extremities of birth and death.

Leoš Janáček's The Cunning Little Vixen was described by its composer as "a comic opera with a sad ending." It is a profoundly poetic tale for which the composer wrote some wonderful, life-enriching music that is magnificently orchestrated. "His music is quite simply overwhelmingly moving," says André Engel, who, working with an outstanding cast, directed a new production of this fascinating work for the Paris Opéra.

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