Опера

«Беатриче ди Тенда» Беллини

Даниэль Шмид (режиссёр-постановщик), Марчелло Виотти (дирижёр) – С Эдитой Груберовой (Беатриче ди Тенда), Майклом Волле (Филиппо Мария Висконти) – Цюрихский оперный театр

Прямой эфир
Некоторые части этой программы в настоящее время недоступны

Состав

Daniel Schmid — Режиссёр-постановщик

Bernhard Kleber — Художник по декорациям

Florence von Gerkan — Художник по костюмам

Юрген Гофманн — Художник по свету

Enrico Cacciari — Music consultant

Hervé Mahé — Music consultant

Barbara Klimo — Хореограф

Эдита Груберова — Beatrice di Tenda

Майкл Волле — Filippo Maria Visconti

Stefania Kaluza — Agnese del Maino

Raúl Hernández — Orombello

Miroslav Christoff — Anichino

Богуслав Биджински — Rizzardo del Maino

Оркестр Цюрихского оперного театра

Хор Цюрихского оперного театра

Эрнст Раффелсбергер — Главный хормейстер

О программе

At the Zurich Opera House, Vincenzo Bellini's Beatrice di Tenda is directed by Daniel Schmid, with Marcello Viotti as Music Director, Edita Gruberova as Beatrice di Tenda and Michael Volle as Filippo Maria Visconti.

Inspired by events of the 15th century, Vincenzo Bellini's opera Beatrice di Tenda, based on a libretto by Felice Romani and premiered in Venice in 1833, tells the story of Beatrice di Tenda, widow of the former Duke of Milan, who regrets her second marriage of convenience to Filippo Maria Visconti, having inherited the armies and title of the late Duke of Milan. Filippo Visconti, tired of his wife, has her accused of infidelity and treason, in order to get rid of her with the help of Agnes, a woman he himself covets. Having to face justice, then condemned to execution, Beatrice agrees to die an innocent woman, while Agnès, overcome with remorse, begs her forgiveness on the scaffold.

Amid the intertwining of love, plots and the question of betrayal, the figure of a tragic heroine emerges, and Edita Gruberova's remarkable performance enhances the drama of the story. Vincenzo Bellini's Beatrice di Tenda is a score of poignant music and themes.

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