Написанная в 1937 году по случаю 20-й годовщины Русской революции, Симфония № 5 ре минор, Op. 47 Дмитрия Шостаковича была впервые исполнена в Ленинграде под руководством Евгения Мравинского и получила широкое признание публики. Пятая симфония Шостаковича, фактически, является его самой исполняемой и записываемой симфонией. Но биографически важным для композитора является то, что с этой работой он вновь завоевал расположение социалистической партии после осуждения Иосифом Сталиным. Музыковед Андре Лишке написал, что это «автобиографическое произведение, которое прослеживает пережитую и преодоленную композитором трагедию и заканчивается финальным криком победы или вызова. В разгар чисток [...] эмоциональное напряжение симфонии было воспринято публикой с исключительной остротой.» И сам Шостакович сказал об эпическом последнем движении Симфонии № 5: «Это как будто кто-то бьет вас палкой, повторяя: ‘Ты должен ликовать, ты должен ликовать, твой долг — ликовать…’ И вы стоите, дрожа с переломанными костями, и начинаете идти, бормоча ‘Наш долг — ликовать, наш долг — ликовать’ [...].»
Просмотреть записи Симфония № 5 ре минор, Op. 47
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The story of the Symphony No. 5 starts in secret. After the public condemnation of Shostakovich by Stalin due to his political opposition (you can find a documentary about this in our superb archive videos), the Russian composer spent the spring of 1937 at Gaspra, in Crimea, in a rest home for scientists and artists. When they asked him to play something on the piano, words were useless. Shostakovich refused disdainfully. Nevertheless, a melody haunted him, what later became Symphony No. 5. In the early morning, as if he was allured by an invisible magnetic force, the composer stumbled into the music room to play an original theme that he then wrote on a sheet of music paper. Thus was born the Symphony No. 5. It was a strong feeling that drove him, as though a silent call came to him through some muffled cries. In fact, Shostakovich declared later that, “The majority of my symphonies are funeral monuments. Too many people in our land died who knows where. And nobody knows where they are buried. Not even their relatives know it. That is what happened to many friends of mine. Where can a monument be built for them? Music is the only thing that can do it.” Come hear the power of music and listen to Shostakovich’s Symphony No. 5 on medici.tv!