Нюрнбергские мейстерзингеры (The Mastersingers of Nuremberg) — это опера в трех актах, написанная Рихардом Вагнером между 1862 и 1867 годами и впервые поставленная в следующем году в Баварской государственной опере в Мюнхене под руководством Ханса фон Бюлова. Сюжет Мейстерзингеров отклоняется от мифологической основы самых известных произведений композитора, таких как Лоэнгрин или Парсифаль. На самом деле, тема довольно приземленная: она вращается вокруг конкурса певцов, который проходит в Нюрнберге в середине XVI века. Более того, упомянутая в произведении гильдия мейстерзингеров была настоящим историческим объединением любителей музыки, и решение Вагнера поставить её в центр одного из своих самых успешных опер было связано с его желанием наполнить своё искусство родным вдохновением.
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Wagner’s opera Die Meistersinger von Nürnberg distinguishes itself from most of his works with its historical setting, and the musical technique used by the German composer adapts accordingly to this different approach. In fact, in Die Meistersinger von Nürnberg, WWV 96, certain characteristics of traditional opera—previously abandoned by Wagner—resurface, such as the massive use of the choir, ensemble scenes, and monologues. Yet, this technical restoration, in the hands of Wagner—at the pinnacle of his artistic career—does not coincide with a regression of his ideas but with a more intimate adherence to the content of his opera. The use of leitmotifs itself—which, in Tristan and Isolde from the cycle of Der Ring des Nibelungen, emerged as bursts of color—is connected with some long melodies in Die Meistersinger von Nürnberg, WWV 96. Come and discover this magnificent opera by Wagner: on medici.tv, you can find yourself in the front row to watch some of the best interpretations of Die Meistersinger von Nürnberg!