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Otto Nicolai, Die lustigen Weiber von Windsor (The Merry Wives of Windsor)

I: "Nein, das ist wirklich doch zu keck"

I: "So geht indes hinein"

I: "Eure Tochter! – Meine Tochter?"

I: "Bin ich erhört! So saget an"

I: "Nun eilt herbei, Witz, heit’re Laune"

I: "So hab ich dich errungen"

I: "Verzeih, mein liebes Weibchen!"

II: "Als Büblein klein an der Mutterbrust"

II: "Und als ich vertreten die Kinderschuh"

II: "Gott grüss euch, Sir"

II: "In einem Waschkorb?"

II: "Dies ist die Stunde"

II: "Horch, die Lerche singt im Hain"

II: "Fenton! – Mein Mädchen! Doch du hast geweint?"

II: "Bestürmen den die läst’gen Freier"

II: "So! Jetzt hät ich ihn gefangen"

II: "Wer klopft? Macht auf, Herr Fluth"

III: "Vom Jäger Herne die Mär ist alt"

III: "Wohl denn, gefasst ist der Entschluss"

III: "O süsser Mond"

III: "Die Glocke schlug schon Mitternacht"

III: "Ihr Elfen, weiss und rot"

III: "Mücken, Wespen, Fliegenchor"

III: "Er gesteht noch immer nicht"

Otto Nicolai's The Merry Wives of Windsor

David Hermann (stage director), Christian Zacharias (conductor) – Avec Anneke Luyten (Frau Fluth), Sabina Willeit (Frau Reich), Franz Hawlata (Sir John Falstaff)...

Opera
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Cast

David Hermann — Stage director

Rifail Ajdarpasic — Set designer

Ariane Isabell Unfried — Costume designer

Fabrice Kebour — Lighting

Anneke Luyten — Frau Fluth

Sabina Willeit — Frau Reich

Franz Hawlata — Sir John Falstaff

Program notes

At the Opéra Royal de Wallonie-Liège, stage director David Hermann and music director Christian Zacharias lead a production of Otto Nicolai's 1849 opera The Merry Wives of Windsor, a work that draws its inspiration from William Shakespeare's beloved eponymous play.

Depicting the comedic adventures of an unhappy rascal on a quest for affection and money, Shakespeare’s original pearl of a play caricatures the bourgeois mores of his age. All the essential ingredients for a top-notch comic opera can be found in this hilarious romp of a comedy of errors, qualities Verdi put on full display in Falstaff, his own 1893 adaptation of the tale. But before Verdi’s work came Otto Nicolai’s Die lustigen Weiber von Windsor, a three-act Singspiel mixing spoken dialogue and musical numbers. By the time he composed the work, Nicolai had already achieved considerable success with Italian operas, but it was this new work in his native German that would become his masterpiece.

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