Альпийская симфония, Op. 64 (Eine Alpensinfonie на немецком) — это произведение Рихарда Штрауса, написанное между 1911 и 1915 годами. Скорее, чем "симфонией", было бы точнее назвать его "симфонической поэмой", как и другие произведения немецкого мастера, такие как Дон Жуан, Тиль Уленшпигель, Так говорил Заратустра, и Геройская жизнь. Альпийская симфония не состоит из частей, а из множества коротких пьес, которые, как следует из названия, ярко изображают поход в Альпы, предпринятый композитором, заядлым альпинистом. И таким образом можно услышать звуковую картину охотничьей партии, шорох листвы, пение птиц…
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As the title suggests, Strauss's Alpine Symphony depicts the sounds of nature in the Alps, a mountain range that has inspired numerous artists with its snow-capped peaks and towering cliffs, evoking aesthetic passions ranging from ecstasy to terror: in other words, the sentiment of the "sublime!" Additionally, it is fascinating to explore another perspective: in its early drafts, Strauss's Eine Alpensinfonie, Op. 64 was originally intended to be subtitled Antichrist in reference to Friedrich Nietzsche's work and as a tribute to Strauss's friend, the composer Gustav Mahler, who had recently passed away. In one of his letters, Richard Strauss wrote: "The death of this aspiring, idealistic, energetic artist [is] a grave loss [...] I am going to call my Alpine Symphony Der Antichrist, considering what it represents: moral purification through one's own strength, liberation through work, the worship of the eternal, splendid nature." This reveals how the two components of the title, Alpine Symphony and Antichrist, came together: in the power of nature, Strauss saw the possibility of a new world. Immerse yourself in the landscapes of this utopian dream! On medici.tv, you will discover some of the finest interpretations of Richard Strauss's Eine Alpensinfonie, Op. 64!