Дон Жуан, Op. 20 — это симфоническая поэма Рихарда Штрауса, которая была впервые исполнена в Веймаре в 1889 году, когда композитору было всего 25 лет. И все же, это произведение ни в коем случае не является юношеским или легкомысленным в своем воспроизведении легенды о распутнике par excellence (вспомните только Моцарта и его Дон Жуана в качестве примера); напротив, безумные поиски идеальной женщины медленно приводят Дон Жуана к отчаянию — отчаянию от неизбежного поражения — и потере всякой воли к жизни. Кроме того, поэт Николаус Ленау, чьи стихи вдохновили Штрауса на создание Дон Жуана, сошел с ума вскоре после написания своего стихотворения, как будто он впитал в себя весь негативный экзистенциальный заряд персонажа Дон Жуана…
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In contrast to Mozart, who made Spanish writer Tirso de Molina’s story a long opera in two acts (his famous Don Giovanni), Richard Strauss made it a symphonic poem lasting around 15 minutes. Don Juan is one of the first symphonic works by the composer (preceding Till Eulenspiegel, Also sprach Zarathustra, and also his major operas, such as Der Rosenkavalier); and yet, Don Juan already shows Strauss’ perfect mastery of the art of composition. Musicologists Bryan Gilliam and Charles Youmans wrote that Don Juan gives proof of “a dazzling orchestration of very distinctive themes, of a unique structure.” The writer Carl Dahlhaus, for his part, has identified in Don Juan’s structure “the musical symbol of modernism of the end of the century!” And thus, the joyless libertinism of Don Juan becomes the symbol of modernity mesmerized by the seductive glow of material goods… Come and discover Richard Strauss’ Don Juan on medici.tv!